Balkan Bound Fest II

I’m Bob Roos, also known as RopeMarks. I’ve been professionally active in the world of Japanese rope bondage since 1999, working out of Amsterdam, the Netherlands.

My work is rooted in the lineage of the late Akechi Denki (明智伝鬼), passed on to me during my first training in Japan. I’ve also had the chance to study directly with Naka Akira (奈加あきら), whose traditional style and approach I’ve long admired. Both have left their mark on how I tie, but what I do today is shaped just as much by years of personal experience and a style that has grown into something recognisably my own.

My work is known for its precision, intensity, and connection. Whether on stage or in private sessions, I aim to create something that feels alive. My performances are energetic, rooted in what was taught to me, and always evolving with the people I tie and the stories we bring to life.

For me, kinbaku is not just about technique or aesthetics. It is about trust, presence, and the honest exchange of control. I believe the best rope happens when there is real connection, whatever form that may take, and I bring that mindset into every tie, every workshop, and every performance.

I’m 28, Italian at heart, and somewhere between curious and hooked when it comes to rope.

I started exploring kinbaku a few years ago, and something about it just clicked. The surrender, the focus, the mix of softness and intensity all spoke to me. I love how rope turns my attention inward, quiets my busy mind, and creates space for something deeper.

I’m not a full-time model, but I love working with RopeMarks, who takes this seriously and wants to create something real together. In his hands, I open up. I’m playful, responsive, and always discovering more about myself through rope.

I have a soft spot for Japanese aesthetics and a Dutch guy who sees all of me and still wants more.

Being part of this workshop is another step in my journey, and I’m excited to share the experience.

More Keira on the RopeMarks site.